2021

Acrylic on Wood

Mossman's decidedly post-minimalist sculpture deals with relationships - formal and contextual. His architecturally-influenced forms, flavored by trips to Asia (China, Japan, and Tibet) and Europe as well as a passion for pre-gothic and early modernist forms (among them Corbusier, Loos, and Wright) comment on the creation and purpose of sculpture and its relationship to architectural forms in a space and other objects (security alarms, hand dryers, heating, and cooling units) that inhabit a space. They walk a thin line between the utilitarian and the purely abstract.